Free Tools Scales B Locrian

B Locrian Scale on Piano

The B Locrian scale contains B, C, D, E, F, G and A — 7 notes. Every one is marked across three octaves of the keyboard below, labelled with note names and with interval numbers.

  • Root
  • Minor 2nd
  • Minor 3rd
  • Perfect 4th
  • Augmented 4th
  • Minor 6th
  • Minor 7th
B Locrian — 7 notes
Degree 1 ♭2 ♭3 4 ♯4 ♭6 ♭7
Note B C D E F G A
Interval Root Minor 2nd Minor 3rd Perfect 4th Augmented 4th Minor 6th Minor 7th

Note names

B Locrian scale piano keyboard diagram: every position of B, C, D, E, F, G and A across three octaves

Interval numbers

B Locrian scale piano keyboard diagram labelled with interval numbers

Modes

1 C Ionian
2 D Dorian
3 E Phrygian
4 F Lydian
5 G Mixolydian
6 A Aeolian
7 B Locrian

Triads

II C
iii Dm
iv Em
V F
VI G
vii Am

7th Chords

Bm7♭5
II Cmaj7
iii Dm7
iv Em7
V Fmaj7
VI G7
vii Am7

Circle of fifths

Circle of fifths — B Locrian pianolytics.com C G D A E B F# D♭ A♭ E♭ B♭ F

Smaller scales inside B Locrian

Major Pentatonic C F G
Minor Pentatonic D E A
Dominant Pentatonic (Mixolydian Pentatonic) G
Minor Sixth Pentatonic D

Frequently asked questions

What notes are in the B Locrian scale?

B, C, D, E, F, G and A. That is 7 notes.

What is the interval pattern of the B Locrian scale?

1-2-2-1-2-2-2, counting in semitones from the root: B to C is 1 semitone, C to D is 2, D to E is 2, E to F is 1, F to G is 2, G to A is 2 and A back up to B is 2.

Which chords go with the B Locrian scale?

The triads built from its own notes: B°, C, Dm, Em, F, G and Am. Those are the chords that will sound consonant over it.

Which major scale is the B Locrian scale a mode of?

C major — B Locrian is its seventh mode. Both contain the same 7 notes; only the note that feels like home is different.

Which smaller scales fit inside the B Locrian scale?

C Major Pentatonic, D Minor Pentatonic, G Dominant Pentatonic (Mixolydian Pentatonic) and D Minor Sixth Pentatonic. Every note of those is also in the B Locrian scale, so they can be played over it.

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